Enter “ One Cut of the Dead,” a low-budget, high-concept work of tongue-in-cheek genius that not only matches the best of its predecessors, but also lovingly articulates why people are drawn to these movies in the first place. ![]() It’s not saying very much to declare Ueda Shin’ichirô’s debut feature the best zombie comedy since “Shaun of the Dead” - no disrespect to the likes of “Life After Beth” and “Scouts Guide to the Apocalypse,” but the decomposing sub-genre has been in desperate need of fresh brains ever since Edgar Wright brought it back to life.
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